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| George Kennedy and Clint Eastwood relax on the set of "The Eiger Sanction." |
He roughed up Kirk Douglas, terrorized Cary Grant, was hired to murder Gregory Peck, beat the stuffing out of Paul Newman, tried to kill John Wayne – twice – and got his head lopped off by an axe-murderer.
When
George Kennedy died of a heart ailment at the age of 91 on February 28, 2016,
his grandson, Corey Schenkel, described him as “just a quiet family man” who
“always put his family first and was always happy to take time out to talk to
fans. He never turned a fan away,
just enjoyed making movies and bringing joy to other people.”
George
Kennedy’s father, an orchestra leader, died when he was four. In poverty, George
and his mother, a ballet dancer, lived for a time in a brothel.
After
enlisting at the age of 17, George Kennedy served in the U.S. Army infantry in
Europe during World War II and fought in the Battle of the Bulge. After the war
ended, he was commissioned as an officer and joined the Armed Forces Radio
Network in Frankfurt and Berlin, followed by Tokyo and Korea. During his 16
years in the service, he opened the Army’s first office of technical assistance
for motion pictures and television.
A
back injury prompted his retirement from the Army, and he became an adviser on
the service sitcom “The Phil Silvers Show” (pictured above) which led to bit parts on the
series. Kennedy would remember, “I was praying one of the guys wouldn’t show up
so I could stand in for him.” In fact, he ended up playing an MP on the show,
which he described as “a great training ground,” leading to roles in other
shows.
From
1959 into the 1960s, George Kennedy appeared in numerous series, the majority
of them, in the words of The New York Times’ Robert D. McFadden, “a bonanza of
westerns,” and, more often than not, as the bad guy, which seemed fitting for
the sturdily built, 6’ 4” actor. In a 1969 interview, Kennedy said, “If it had
been the time of shorter heroes – (Edward G.) Robinson, Alan Ladd, Bogart – I
couldn’t have gotten arrested. But it was the era of the big guys. Men like Jim
Arness and Clint Walker needed someone big to beat up in their television
series.”
A
number of his early movie roles cast him as a sadistic thug or just plain
creepy lurker. In the modern western “Lonely Are the Brave” (1962), he
portrayed a brutal deputy who gives Kirk Douglas a jailhouse workover; in "Charade" (1963), he tried to use his prosthetic hand as a human can opener on Cary Grant's face; in “Strait-Jacket”
(1964), he was a shady handyman who loses his head to an axe-murderer; in the
Hitchcockian thriller “Mirage” (1965), he played a goon named Willard tasked
with getting rid of Gregory Peck; in “The Sons of Katie Elder” (1965), he was
the gunslinger Curley, hired to kill John Wayne. Such thuggish portrayals
culminated in his breakout role as Dragline, the strutting cock-of-the-walk in
a chain gang in “Cool Hand Luke” (1967), starring Paul Newman as an
incorrigible nonconformist who shakes up the pecking order in the rural prison,
The
loudmouthed Dragline’s resentment of the cocksure Luke turns to reverence after
the two have a prison yard boxing match during which the battered and bruised
Luke refuses to admit defeat. Critic Bosley Crowther of The New York Times
wrote, “George Kennedy is powerfully obsessive as the top dog who handles
things his way as effectively and finally as destructively as does the warden
or guards.”
George
Kennedy’s performance in “Cool Hand Luke” earned him the Academy Award for Best
Supporting Actor. His acceptance speech was short and sweet. Calling it “the
greatest moment in my life,” he gushed, “Oh, I could bust!” Years later, he
remembered saying to his agent, “They’re not going to give me this role. I’m
one of those third-guy-through-the-door guys.” Critic Charles Champlin noted
that the role of Dragline “will almost certainly do for George Kennedy what
‘Cat Ballou’ did for Lee Marvin – pay off with stardom in a long honorable
hitch at lesser servitude.”
In
The New York Times obituary for George Kennedy, Robert D. McFadden commented,
“His rugged but bland looks were right for almost any part. He was tall and burly,
with a bull neck, eyes that widened with shock or narrowed to menacing slits, a
disingenuous smile and big ham hands to grip the gun or slap the girl. In the
mold of Lee Marvin or Lee Van Cleef, he was a first-rate thug, and his deadpan
look was perfect for disaster pictures or comedies.”
Throughout
his career, Kennedy frequently worked with the same directors. He was a
favorite of Andrew V. McLaglen, who had directed the actor in a number of
episodes of “Gunsmoke” and “Have Gun Will Travel.” On the big screen, McLaglen
directed Kennedy in “The Little Shepherd of Kingdom Come” (1961), “Shenandoah”
(1965), “The Ballad of Josie” (1967), “Bandolero!” (1968), “Fools’ Parade”
(1971), and “Cahill U.S. Marshal” (1973).
For
director Robert Aldrich, George Kennedy acted in “Hush…Hush, Sweet Charlotte”
(1964), “The Flight of the Phoenix” (1965), “The Dirty Dozen” (1967), and “The
Legend of Lylah Clare” (1968).
In
1970, George Kennedy played Joe Patroni, an airline mechanic and
troubleshooter, in “Airport,” the seminal all-star disaster movie of the 1970s.
The cigar-chomping Patroni returned in “Airport 1975,” “Airport ’77,” and “The
Concorde…Airport ’79,” making Kennedy the only actor to appear in all four
“Airport” films.
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| (Top) Burt Lancaster and George Kennedy strategize in the original "Airport"; (bottom) George, David Warner, Eddie Albert, and Alain Delon fly the unfriendly skies of "The Concorde...Airport '79." |
The
“Airport” franchise partly inspired the 1980 comedy “Airplane!” Filmmakers Jim
Abrahams, David Zucker, and Jerry Zucker had hoped to cast George Kennedy as
the inept, glue-sniffing flight control supervisor, a role that eventually went
to Lloyd Bridges. Abrahams and the Zuckers finally got to work with Kennedy
when he was cast as Captain Ed Hocken in the “Naked Gun” films – “The Naked
Gun” (1988), “The Naked Gun 2 1/2: The Smell of Fear” (1991), and “Naked Gun 33
1/3: The Final Insult” – starring Leslie Nielsen as the bumbling detective,
Lieutenant Frank Drebin.
On
the short-lived 1982 series “Police Squad!” Captain Hocken had been portrayed deadpan
by Alan North, an austere stage actor whose movie roles included Massachusetts
Governor John Andrew in “Glory” (1989). When “Police Squad!” was being readied
for the big screen’s “Naked Gun” franchise, the studio insisted on an actor
with a higher marquee value for the role of Hocken..
After
the first “Naked Gun” picture, George Kennedy told New York’s Newsday, “I had
the time of my life doing it. It’s
so funny, it was hard to shoot the movie.”
In
1975, Kennedy was afforded the rare opportunity to star as the leading man,
playing a NATO computer expert working in Naples whose family is killed by
terrorists, in “The Human Factor.” The tragedy turns George into an unlikely
action hero, wreaking bloody vengeance, like Charles Bronson in "Death Wish" but
with the aid of a computer. Costarring John Mills, “The Human Factor” was the
last film directed by Edward Dmytryk, a onetime Hollywood blacklisted director
who directed George Kennedy in the aforementioned “Mirage.”
Another
rare casting decision found Kennedy portraying General George S. Patton in
“Brass Target” (1978), a political thriller about a conspiracy to assassinate
“Old Blood and Guts” shortly after the end of World War II. Directed by John
Hough (“The Legend of Hell House”), the film featured Sophia Loren, John
Cassavetes, Robert Vaughn, Patrick McGoohan, and Max von Sydow. (Interestingly,
Kennedy played another historical figure, President Warren G. Harding, in the
1979 miniseries “Backstairs at the White House.”)
He starred in two TV series in the early 1970s. “Sarge,” which aired for a single season, cast him as a cop-turned-priest. He had better luck – two seasons – as the star of “The Blue Knight” (pictured above). Based on the novel by cop-turned-bestselling author Joseph Wambaugh, the show centered on aging, streetwise beat cop Bumper Morgan, a character earlier portrayed by William Holden in a 1973 TV movie. In the later seasons of "Dallas" and in TV reunion movies, Kennedy had a recurring role as Carter McKay, a ranching foe of the Ewing family.
In
the early 1980s, George Kennedy wrote two mystery novels, Murder on Location and Murder
on High, casting himself as the sleuth.
During
the span of his 55-year career in front of cameras, George Kennedy had the
pleasure of working with a galaxy of stars, among them Kirk Douglas, Cary Grant,
Joan Crawford, Bette Davis, Gregory Peck, John Wayne, James Stewart, Lee
Marvin, Michael Caine, Jane Fonda, Paul Newman, Doris Day, Burt Lancaster,
Frank Sinatra, Clint Eastwood, Charlton Heston, Jack Lemmon, Peter Ustinov,
Sonny Chiba, and Bo Derek.
When
George Kennedy was awarded a long overdue star on the Hollywood Walk of Fame in
1991, he said, “Ever since I was a little boy, my heroes were movie stars." Welcome to the galaxy, George…
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| George Kennedy's final film role was playing Mark Wahlberg's grandfather in "The Gambler" (2014). George poses with actors Richard Schiff, Mark Wahlberg, and Rasta Phil. |


















1 comment:
George Kennedy was a great bad guy. He really sold the idea that he was mean and half-smart -- so he was unpredictable as to what he would do. Really liked him in "Charade," "Cool Hand Luke," "Thunderbolt and Lightfoot," "Modern Romance," and the "Naked Gun" movies. Good work, George.
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