When
she first decided to make a movie with Adam Sandler, Drew Barrymore told Howard Stern
in an interview, “I want to be a modern, weird Hepburn-Tracy Hollywood couple.”
In
the grand tradition of the motion picture industry, Spencer Tracy and Katharine
Hepburn were among the most popular romantic duos on the screen, appearing
together in nine films, from 1942 to 1967’s “Guess Who’s Coming to Dinner”
(which was released six months after Tracy’s death at age 67). Tracy and
Hepburn’s romantic relationship off-screen was one of Hollywood’s longest-kept
“open” secrets.
Tracy,
who was married to Louise Treadwell, a repertory theater actress, was convinced
that his affairs with a number of other actresses (before he met Hepburn) was
directly responsible for the fact that his first child, a son named John, was
born deaf and dumb. A deep-seeded Catholic guilt gnawed at the actor for the
rest of his life and prevented him from divorcing his wife, although it didn’t
dissuade him from a separation to play house with Katharine Hepburn.
Drew
Barrymore admitted she was muddling through a slump in her career when she
first phoned Adam Sandler and asked to meet him. Recalling their initial
meeting, she said, “We looked like the worst blind date you’ve ever seen. I
showed up with purple hair and a leopard coat and he was in his classic cargo
pants.” Barrymore told Sandler, “I really believe that you and I could get
together and do something meaningful.”
That
“something eventful” evolved into 1998’s “The Wedding Singer,” an alternately
crass and surprisingly sweet (particularly so in the wake of Sandler’s previous
frat-boy romps “Billy Madison” and “Happy Gilmore”) rehash of the old
boy-meets-girl plot. Adam Sandler portrays an ‘80s lounge singer who once hoped
to be a rock star, Drew Barrymore is a waitress he meets at a wedding
reception, both stuck in unsavory relationships with opposites unworthy of
their affections. “The Wedding Singer” was directed by Frank Coraci and
scripted by Tim Herlihy ( a longtime friend and associate of Sandler’s who
inspired Sandler’s recurring “Saturday Night Live” sketch “”The Herlihy Boy”),
with Sandler, Judd Apatow, and Carrie Fisher (who has enjoyed a long
side-career as an accomplished script doctor) contributing to the screenplay.
Roger
Ebert loathed “The Wedding Singer” as “one of the sad by-products of the
dumbing-down of America,” calling it a film that forces us “to witness the goofy plots of the
1930s played sincerely, as if they were really deep.” He sniped, “The plot is
so familiar the end credits should have issued a blanket thank-you to a century
of Hollywood love-coms.”
On
the other hand, A.V. Club reviewer Joshua Klein observed, “Sandler is endearing
as a sensitive nice guy, and Barrymore is a cute love interest.” Janet Maslin,
of The New York Times, noted, “Oozing niceness, Adam Sandler plays it
semi-serious in ‘The Wedding Singer,’ a comedy with a dual personality. Half
the film is an ingenuous love story, but the better half consists of pop
culture time-warp jokes set in 1985."
Drew
Barrymore openly credits Adam Sandler for her subsequent success. She had
formed her own production company, Flower Films, in 1995, and
executive-produced her first film, “Never Been Kissed,” a year following “The
Wedding Singer.” She was a producer on a number of movies, including “Charlie’s
Angels,” “Fever Pitch,” and “Whip It.”
The
two reunited onscreen in 2004’s “50 First Dates” (pictured above), a romantic comedy set in Oahu
casting Adam Sandler as a womanizing veterinarian at a marine animal park and
Drew Barrymore as the victim of a serious car wreck who wakes up every morning
remembering only everything up to the moment of the accident. Despite similarities to short-term
memory loss and anterograde amnesia, Barrymore’s memory impairment is
fictitiously referred to as Goldfield’s Syndrome. Directed by Peter Segal, who had
made “Tommy Boy” and worked with Sandler on “Anger Management” and “The Longest
Yard,” the movie was originally called “50 First Kisses” but was changed to
avoid confusion with Barrymore’s film “Never Been Kissed,” which was released
the previous year.
“The
movie is sort of an experiment for Sandler,” Roger Ebert remarked. “He reveals
the warm side of his personality, and leaves behind the hostility, anger and
gross-out humor…This is a kinder, gentler Adam Sandler.” Ebert noted that “as
entertainment, it’s ingratiating and lovable. And it suggests that Sandler,
whose movies are so often based on hostility, has another speed, another tone,
that plays very nicely.”
Ebert
called “50 First Dates” “a lighthearted romantic comedy” that provides Adam
Sandler and Barrymore with a sweet story.” Sandler and Barrymore, who had
earlier won an MTV Movie Award for Best Kiss in “The Wedding Singer,” won the
MTV Movie Award for Best On-Screen Duo in 2004 (pictured below). “They work well together,”
Ebert noted, “they have the same tone of smiling, coy sincerity.”
A
decade after “50 First Dates,” Adam Sandler and Drew Barrymore were teamed for
the third time in “Blended.” The threadbare premise of the film finds Sandler
as a widowed father of three girls who finagles a resort vacation rendezvous
with divorcee Barrymore and her two sons. You see, Sandler took Barrymore on a
disastrous blind date to Hooters, and – aw, skip it. You know the formula:
Boy-meets-girl, boy-loses-girl, boy-gets-etc.-etc.
The
movie was filmed on-location at the animal park, hotel, pool terrace, and
restaurant at Lost City, a resort in South Africa that caters to “familymoons.”
In fact, the romantic comedy was originally called “Familymoobn,” but the
filmmakers, for whatever reason, changed it to “Blended,” which has to be one
of the blandest movie titles ever pureed by Hollywood mixmasters.
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| Lauren Reynolds (Drew Barrymore) regards the first night of her "familymoon" with apprehension, despite the obvious enthusiasm shared by sons Brendan (Braxton Beckham) and Tyler (Kyle Red Silverstein). |
Although
he found “Blended” “grotesquely offensive,” The New Yorker’s Richard Brody
admitted, “The romance is sweet and even effervescent, the comedy is homespun
and sentimental, but it’s packed with such a repellent batch of stereotypes and
prejudices that it’s unpalatable even to contemplate.”
![]() |
| The irrepressibly buoyant Terry Crews and his harmony backup singers, dubbed Thathoo, can always be counted on for flash-mobbing a plot turn in "Blended" as a tireless, hilarious Greek chorus. |
Likewise,
The New York Times critic A.O. Scott griped about the script’s “retrograde
gender politics; its delight in the humiliation of children; its sentimental
hypocrisy about male behavior; its quasi-zoological depiction of Africans as
servile, dancing, drum-playing simpletons.” Scott warned, “Parents strongly
cautioned. It will make your children stupid.”
Graham
Young, of the Birmingham Mail, countered, “It’s warm, funny, tender,
serious…and decidedly old-fashioned. There’s no swearing, no pandering to
repeated toilet gags, and the ‘gross-out’ market is all but ignored. Instead,
there’s lots of genuinely funny slapstick, singing asides and some great kids’
performances.”
![]() |
| The New Yorker's Richard Brody called Adam Sandler "a Jewish Everyman with the tone and lone of a live-action Fred Flintstone." |
At
this point, the obvious chemistry and comfortable interplay between Adam
Sandler and Drew Barrymore caused a lot of people to wonder if they were
genuinely a couple off-camera. Speculation about successful screen couples has
regularly occurred in movie theaters for decades.
Created
in the 1934 novel The Thin Man by Dashiell
Hammett, the author of The Maltese Falcon,
Nick and Nora Charles were a fictional couple who solved murder mysteries while
exchanging snappy repartee and drinking a lot of cocktails. From 1934 to 1947,
William Powell and Myrna Loy portrayed Nick and Nora in the six movies of the
successful “Thin Man” franchise. Powell and Loy (pictured above) were so strongly identified
with the characters that audiences mistakenly assumed they were a couple in
real life.
![]() |
| Olivia de Havilland portrays Libby Custer, devoted wife of George Armstrong Custer (Errol Flynn), in "They Died with Their Boots On" (1941). |
Errol Flynn and Olivia de Havilland, who made
eight films together, notably “The Adventures of Robin Hood,” became the most
successful motion picture romantic duo in Hollywood in the late 1930s and early
1940s.
Flynn,
who was married to French-born actress Lili Damita, acknowledged his attraction
to de Havilland. In a 2009 interview, Olivia de Havilland (who will turn 100
July 1), denied any romance. She admitted, “Yes, we did fall in love and I
believe this is evident in the chemistry between us. But his circumstances at
the time prevented the relationship going further. I have not talked about it a
great deal but the relationship was not consummated. Chemistry was there
though. It was there."
![]() |
| Maureen O'Hara and John play tempestuous newlyweds in "The Quiet Man," directed in 1952 by John Ford. |
Maureen
O’Hara portrayed John Wayne’s fiery wife – newly-wed, estranged, divorced, or
otherwise – in five films, namely “Rio Grande” (1950), “The Quiet Man” (1952),
“The Wings of Eagles” (1957), “McLintock!” (1963), and “Big Jake” (1971).
Off-screen, Wayne had a predilection for Latin spouses (all three of them).
In
May 2014, when Adam Sandler and Drew Barrymore appeared together on the
late-night talk show “Chelsea Lately,” the host, Chelsea Handler - who was
originally cast as Barrymore’s best friend in "Blended" before the role went to Wendi
McLendon-Covey (best known as the buxom Deputy Clementine Johnson on Comedy
Central’ “Reno 911!” before her breakthrough role in “Bridesmaids”) - bluntly asked,
“Have you guys ever dated? Have you ever hooked up or had penetration?”
Barrymore blurted, “Not even a little! Not even ‘church tongue.’ Nothing
really.”
Sandler
interjected, “One night I screamed, ‘Please look at it!’ No, we always just
hung out and had a good time. We always socialized, but we never – it’s good.”
“That’s probably why we’ve been able to stick together all these years,”
Barrymore said, “because there never was that awkward moment.”
In her recently published memoir, Wildflower, Drew Barrymore dedicated a chapter to Sandler, called “Adam.” “He believed in me,” Barrymore said. “It’s a little bit of a love letter to him because I have grown with this man.”
| In June 2003, Adam Sandler married actress Jacqueline Samantha Titone. They have two daughters, Sunny and Sadie. |
![]() |
| In June 2012, Drew Barrymore married Will Kopelman. They have two daughters, Olive Barrymore Kopelman and Frankie Barrymore Kopelman. |



















1 comment:
I could see what Hepburn saw in Tracy and vice versa, but I can't see what Drew Barrymore sees in Adam Sandler.
But, i confess I haven't seen any of the Barrymore/Sandler movies. So what do I know?
I think the only Sandler movie I've ever seen was "Hotel Transylvania." It wasn't too bad, actually. But his other movies just never appealed to me.
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